
REV. JOHNNIE SWEARINGEN
We first met Johnnie Swearingen in the mid 1980's. when
he lived in Brenham, Texas. He was a character and a
great painter who believed in himself and his talents.
The Rev.Johnnie Swearingen was born August
27, 1908, in the African American community, CampgroundChurch,
located outside of Chappell Hill, Washington County,
Texas
He attended school through the eighth
grade in Petersville(near Brenham).
A religous man, Swearingen joined the
John Daniels A.M.E. Church at an early age, later moving
his membership to Allwise Missionary Baptist Church,
Chappell Hill, Texas. Swearingen claims to have given
his first sermon when he was four years old, standing
on a box between his parents,he proclaimed "To
Dirt, to dirt, to dirt". He said that he had been
called by the Lord to preach and paint.
In 1926 Swearingen married Lora Ann Williams ,and began
to work on a farm, near Brenham Texas. The couple divorced
shortly there after and Johnnie began to ride as a stowaway
on freight trains hobo-ing westward toward Califorina
occasionally finding work, picking grapes and "chopping"cotton
as the depression crippled the country. Swearingen claimed
to have started painting while inSan Pedro,Califorina
, supporting himself working as a longshoreman.
In 1947 Swearingen received word his father was seriously
ill, prompting his return to Texas,
where he resumed farming and painting near Brenham.
Often setting up shop on the Washington County courthouse
lawn, preaching and painting. Swearingen would display
his paintings on his old truck and park at Michalak
garage on Market street in Brenham, where he was a familar
sight and where patrons could view his" gallery
on wheels".
In 1961 Sigman Byrd, a reporter from the Houston Chronicle
came to Brenham to meet another artist, Ruth Spain who
could talk of nothing else, but the" primitive
artist", whom she called,"Chappell Hill's
Grandpa Moses". It was this meeting that resulted
in a short article, with photograghs of Swearingen which
appeared January 9 ,1961. Byrd drove the four miles
out to the Swearingen farm in the Huisache Hills north
of town. There he found the 52-year old artist-tennant
farmer painting, but not having much luck selling his
work, at least to those outside of Brenham. Swearingen
said,"My tractor's down, and I'm trying to sell
it. My horse died, but I still got a pair of mules and
Lord, I wish that man from Houston would come pay for
them two pictures". This article was the precursor
to many others.
It was during this time that Swearingen bought oil paints
and masonite panels from Shear's hardware store. In
1975 an article in the Houston Home and Garden section
of the Houston Post featured Swearingen more extensively,
bringing more patrons to Swearingen's studio to buy
paintings. Swearingen's work was included in "The
Eyes of Texas", an exhibition of living Texas Folk
Artists in 1980 at The University of Houston, curated
by Gaye Hall and David Hickman. Black History/Black
Vision was a more extensive exhibition ,curated by Lynne
Adele at the University of Texas at Austin, in 1989,
and traveled to the San Antonio Institute of Texan Cultures,
and the Amarillo Art Center. These exhibitions helped
bring Swearingen's work to the attention of a wider
audience.
Swearingen was a storyteller in the African-American
tradition, often incorporating several tableaus in one
painting. There has never been a great number of African-American
artists in Texas. The importance of artists like Johnnie
Swearingen, who document their culture and personal
history is clear. Many cultures have been documented
by descriptive and detailed writers, so we have a fairly
complete idea of their history and folklife; however
Swearingen's paintings illustrate the seldom documented
African-American culture in Texas, as well as the history
of Washington County,Texas.
Swearingen like other folk artists used materials that
were available to him, often blending markers, charcoal
penci, lindseed oil and oil paints in a number of early
works. However Swearingen primarily liked to work with
oil paints if economy would permit.
In 1993 Swearingen suffered a series of strokes, which
eventually crippled his hands, preventing him from painting.
He only lived a month after this, passing January 14,
1993 in his home of Brenham, Texas at age 84. We sure
feel lucky to have known him.
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